

| 1 |
Music
The duality of Alejandro Fernández; Camila’s big changes;
Rodrigo y Gabriela keep it green.
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| 2 |
Books
Legendary music producer Emilio Estefan shares his life lessons.
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Arts
Franck de Las Mercedes’ project for peace.
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| 4 |
Film & TV
Andy Garcia shares the big screen with his real-life daughter in his latest
independent flick; an emerging documentarian confronts her past; Martha
Higareda on DVD.
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| 5 |
Calendar
Our monthly list of premier events.
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| 6 |
Picture This
A new interpretation of the iconic Carmen.
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LATIN FORUM {books}
he did it his way
Legendary producer Emilio Estefan reflects
on his journey through adversity to ultimate success in
his intimate new memoir.
By Idy Fernandez
As you wait to be connected to your conference call
with Emilio Estefan you’re not all that surprised to hear
that the hold music of choice is a shuffle playlist of his wife’s
songs. This is, after all, the man who helped Gloria Estefan become
a household name and you are, after all, on hold with Estefan Enterprises.
But the Grammy Award-winning producer behind some of Shakira’s
and J. Lo’s top hits isn’t on the line, greeting you
warmly, to discuss a new music protégé. Instead he’s
ready to open up about the driving force behind everything he’s
ever accomplished. He’s ready to talk about himself.
“In 35 years, this is the first time I do something for myself,”
he says. “When you do interviews or meet people, they ask
you ‘How did you do this record?’ or ‘How did
you make this work?’” Invariably, the questions are
about how he made something happen for someone else. “This
is the first time in my life I do something for myself.”
Last month his first book, The Rhythm of Success: How an Immigrant
Produced his Own American Dream, hit shelves. The foreword is written
by super-producer and close family friend Quincy Jones, who is so
close that he’s the godfather to the Estefans’ daughter
Emily Marie. The book is touted by publishing house Penguin Books
as a “motivational doctrine for those who want to make their
most ambitious dreams come true.”
In between guidelines on how to start your own business and how
to climb the corporate ladder by staying organized, Estefan peppers
in personal stories like when he first met a young Gloria at a wedding
and didn’t let her shyness discourage him from courting her
to illustrate his main point: “Always believe in yourself
and never give up.”
“It’s been 15 years that people have been asking me
to write [a book.] It was the right time now because the next generation
of immigrants and people who have been born in this country want
to know how we did it,” says Estefan, a Havana native who,
like many children, immigrated alone to the U.S. as Fidel Castro
rose to power in Cuba. “There was no Internet when [the Miami
Sound Machine] came out. The media wasn’t as big as it is
now, and for us it was so hard. There’s a new generation of
Hispanics who are well-educated and born in this country who thought
the music business would be easier for them but find that it’s
not and [they] really want to know how to make it.”
The 240-page tome is an inspirational self-help book blended with
an autobiography and memoir of sorts. Call it a fusion—much
like the Latin-Anglo pop music fusion he created in the 1980s with
The Miami Sound Machine and his current business, Estefan Enterprises,
home to his many music, hotel, restaurant, artist management, real
estate and television/film production deals.
“It took me three years to get the book together because it’s
a lot more complicated than people know. You don’t want to
waste a page and you want to make every page count,” Estefan
says, adding that penning the book was at times a difficult process.
“Thinking about a lot of the pain was hard, reliving when
I left Cuba was hard, and when I said goodbye to my mother it was
very, very hard. But I wanted people to know what it’s like
when you get to this country and you start almost homeless and you
just have to focus on the future.”
Estefan may delve further into writing about his arrival at Miami’s
Freedom Tower and the first generation of Cuban Americans in the
years to come. In the meantime, staying positive and true to your
dreams are notes he hit throughout the pages of Rhythm, notes that
he says are true to his own character.
“I’m a really persistent person with intuition, so when
people tell me ‘You can’t do that,’ it makes me
want to do it more,” Estefan says. “I think becoming
a man when I was 11 years old makes you realize life isn’t
always pretty, but you also have to know that when hard times come
you need to be more creative.”
Estefan would know. When reggaeton stars like Daddy Yankee were
beginning to rule the airwaves, for example, he was the first to
ink a deal with hip-hop mogul P. Diddy to create a label for emerging
Hispanic rap stars.
Estefan advocates not only self-assurance but also the flexibility
to adapt to what life throws at you. “Maybe you used to be
a pilot and you lost your job” Estefan says. “That’s
when you figure out what other skills you have and you reinvent
yourself.”
{telling all}
The lives of Latino musical icons have often
provided interesting fodder for writers. If Emilio Estefan’s
story awakened your appetite for musical biographies, here are a
few more you might like.
Garcia: An American Life
By Blair Jackson
The lead singer and focal point of the Grateful Dead, Jerry Garcia
was often dismissed as a serious musician because of his enormous
cult following. In this 560-page tome, biographer Blair Jackson
reveals the musician inside the cultural icon. (Penguin)
Ritchie Valens: The First Latino Rocker
By Beverly Mendheim
Although written in 1987, the story of Valens is timeless. In a
relatively short biography at 160 pages, Mendheim digs deep into
Valens’ past, dispelling lingering misconceptions and uncovering
little-known truths about the legendary rocker. (Bilingual Review
Press)
And a Voice to Sing With: A Memoir
By Joan Baez
One of the most famous American folk singers, Joan Baez details
how she won hard-earned fame on her own terms. From dealing with
discrimination in her teens to drawing on her Quaker roots for the
source of her pacifism, Baez pulls no punches and lays her story
bare. (Simon & Schuster)
top shelf
Consider stocking your bookcase with some
of these new titles sure to inspire, inform and entertain.
The
Art of Jaime Hernandez:
The Secrets of Life and Death
By Todd Hignite
People who know comics know Love and Rockets, the comic created
by Los Bros Hernandez—Gilbert, Jaime and Mario. This tome
focuses on the life and works of brother Jaime, whose contribution
to the comic were strong Latina characters and complex story lines.
Love and Rockets changed the comic landscape forever. One of the
first alternative comic serials, and certainly one of the first
to be created by and to feature Chicanos, it debuted in the early
1980s and introduced the comic world to mostly unknown cultures.
After all, not many knew of a Latino punk scene, women wrestlers
or the trials and tribulations of a Maggie the Mechanic.
El
Monstruo:
Dread and Redemption in Mexico City
By John Ross
Poet, journalist and activist John Ross puts a microscope to life
in Mexico City. Dubbed El Monstruo, the world’s most densely
populated city is known for its crowds, smog and the giant gap between
rich and poor—making it seem perpetually on the edge of disaster.
Since 1985, Ross lived in the center of this federal district. Surrounded
by volcanos, constantly threatened by earthquakes and riddled with
crime, the city survives and its citizens live to tell its secrets.
Big
Breakfast Diet:
Eat Big Before 9 A.M., and Lose Big for Life
By Daniela Jakubowicz, M.D.
At first, the book’s premise seems like
a gimmick: Eat pizza and doughnuts as part of a big breakfast and
still lose weight. However, delving deeper into Dr. Daniela Jakubowicz’
plan, The Big Breakfast Diet, it becomes apparent that her philosophy
is based on bodily need. Yes, eating sweets and fats sounds indulgent,
but, claims Dr. Jakubowicz, such a big meal first thing in the morning
is also perfectly in sync with long-term weight loss, hormonal balance
and circadian sleep/wake cycles. In her study, the Venezuelan-born
endocrinologist put 94 obese and inactive women on an eight-month
diet. Half of the women went on very low-carb diets and the other
half went on The Big Breakfast Diet. After four months, the very
low-carb dieters had shed an average of 28 pounds, while the Big
Breakfast group shed about 23. After four more months, the low-carb
group regained about 28 pounds, whereas the Big Breakfast group
continued to drop weight. Based on this research, Jakubowicz formulated
her diet on a top-down approach, with breakfast being the biggest
and most indulgent meal, lunch smaller and more reliant on produce,
and dinner being the lightest fare.
A light read, the book is part manual, offering a 28-day menu for
promoting the best balance of fats, carbs and proteins and exercise.
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